![]() This sequence gives you everything you need to know about the film at first glance it’s pure horror, but it eventually gives way to humor that lovingly spoofs the horror genre. It’s an intentional set up for the jump scare- the title card. It all gives the viewer a glimpse into the mind of a serial killer.Īfter an ominous set of credits set to a serious score and red tinted depictions of hell, it abruptly cuts to a seemingly mundane lab with a trio of employees exchanging mundane banter. ![]() Directed by Kyle Cooper, it’s a series of images and fragments as killer John Doe makes entries in his diary, develops photos, and cuts out book clippings. David Fincher’s Se7en kickstarted a new renaissance of title sequences thanks to its intricate and highly detailed opening credits. Up until this point, the title sequence had just about died out completely. That is was handled by animator and artist Kathy Zielinski, known for her work in Disney and The Simpsons, further cemented this title sequence as an all-time great. A playful animation sequence that invokes haunted houses and Halloween spirit signals that the movie that follows has fun on its mind. When you think of title sequences in horror movies, this animated opening almost always comes to mind. The title and credits are intercut with images of that now iconic glove being assembled and the unnerving boiler room nightmare of Tina. What an amazing way to introduce an audience to the central boogeyman without giving too much away. The title sequence closes with an impressive title effect by Special Optical Effects supervisor Peter Kuran that pays homage to The Thing from Another World. Beginning quietly before Ennio Morricone’s score kicks in, it’s the music that sets the tone against plain black and white credits. You can always count on John Carpenter to nail a title sequence. Moreover, if you’re paying attention, the images give teases of the segments to come. Vivid animation and matching music set the tone of the film. And whether you enjoyed Halloween 2018 or not, how amazing was this callback to the original film via title sequence?Īfter an opening scene that sets up this anthology’s wraparound, which sees a boy seeking revenge by way of horror comic, the title sequence encapsulates that comic book aesthetic. A black background with orange text and a jack o’ lantern flickering orange with candlelight, it’s pure holiday menace. Like John Carpenter’s simple yet effective theme music, this title sequence manages to accomplish a lot with simplicity. It’s not until the end credits that the actor is revealed to be Boris Karloff. Perhaps even more interesting is that the opening credits list The Monster as being played by a question mark. It’s full of theatrics that promises shock and horror to come. ![]() The title sequence for Universal’s 1931 adaptation of Frankenstein begins with a warning on behalf of the producers by character actor Edward Van Sloan. Here are more examples that prove how effective the title sequence can be, and a few that keep the artform alive. ![]() The long-winding shots overhead of the family’s road trip to the Overlook Hotel while the ominous theme music plays and the credits scroll gives an overall sense of foreboding and dread that carries through the entire movie. Take Stanley Kubrick’s The Shining, for example. It captures the essence of what the film is about, a sort of tease. But it also sets the tone of the film ahead. What exactly is a title sequence? At its most basic level, a title sequence gives the film’s title, obviously, as well as credits for the cast and crew involved. While the title sequence still pops up now and again, it’s nowhere near as prevalent as it once was, making this artform a dying breed. For some, it’s a style choice, but for others it’s simply due to statistics and surveys that show audiences prefer not to see them and get straight to the point. More often than not these days, filmmakers opt to jump right into their films without any preamble, skipping any elaborate opening credits. ![]()
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